Entertainment
‘Bad Day’ Trailer: Cameron Diaz Is a Single Mom Who Accidentally Robs a Bank in Netflix Comedy
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Published 11/5/2026 9:00:00 AM
Cameron Diaz Stars in Netflix Comedy as a Single Mom
A towed car, frozen bank account and passive-aggressive comments from gossiping pilates moms are just a few of the unfortunate events that happen to Cameron Diaz in Netflix’s “Bad Day” trailer.
The “big-heart mom-com” film, which hits the streamer on Dec. 11, gives a glimpse of just how bad this day will get in its new trailer. Diaz plays a single mom of two daughters who pinky-promised to make an appearance at her youngest child’s soccer game, but the universe has other plans for her. Whether it’s taking her father to his dialysis appointment or proving her innocence in bank fraud, something always seems to get in the way of her keeping her promise.
“Bad Day” blends Diaz’s “Back in Action” and “Charlie’s Angels” action experience with her heartfelt roles like “There’s Something About Mary” and “The Holiday.” Joining her are Danielle Brooks (“Orange Is the New Black”) and John Higgins as a pair of police officers, Ed O’Neill as her father, Rhenzy Feliz (“The Penguin”) as her friend, along with Emma Pearson and Jessica Belkin as her daughters. Mark Duplass, Jessica Belkin, Rob Corddry, Ayden Mayeri, Ben Schwartz, Retta, Emma Pearson, P.J. Byrne, Sherry Cola, Edi Patterson and Beck Bennett are also among the cast.
The movie is directed by Jake Szymanski, who helmed the Amazon Prime Video series “Jury Duty.” Laura Solon is the writer, and Beau Bauman is a producer. Mark Moran and Laura Solon are executive producers, with Jeremy Mittleman serving as a co-producer.
Watch the full trailer below.
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The Japan IP Market will be back in Cannes next May for a second straight year. The Cannes Film Market and TIFFCOM, the content market of the Tokyo International Film Festival, are again teaming up on the event, and the 2027 edition will run May 14-15.
The return was revealed at TIFFCOM in Tokyo, during a conference on how Japan can forge new international partnerships after its stint as Country of Honor in Cannes. Alexandra Zakharchenko, head of industry programs at the Cannes Film Market, was among the panelists.
“The success of Japan, Country of Honor showed what can happen when a focused national presence creates lasting opportunities for the industry. The Japan IP Market is one of those outcomes: a collaboration that extends beyond a single edition and gives Japanese intellectual properties greater access to international partners,” said Guillaume Esmiol, executive director of the Cannes Film Market. “I’m delighted that we are continuing this work with TIFFCOM to create more opportunities for rights holders to connect with international producers and partners, develop new adaptations and bring their stories to global audiences.”
The Japan IP Market first ran in May 2026, one of the initiatives tied to Japan’s turn as Country of Honor at the Cannes Film Market. It put Japanese rights holders in the same room as industry professionals from abroad via pitches, one-on-one meetings and industry discussions. Kadokawa, Shochiku and Toei Company were among the companies taking part. The speaker lineup included Fujimura Tetsu, executive producer of “One Piece” and founder and CEO of Filosophia, Inc.
“The Japan IP Market is about creating the right conditions for business opportunities between Japanese rights holders and international companies,” said Zakharchenko. “By bringing them together in Cannes, we can help turn growing interest in Japanese content into concrete adaptation deals and acquisitions, while fostering new collaboration opportunities.”
Shiina Yasushi, executive adviser at UNIJAPAN and CEO of TIFFCOM, said the partnership with the Cannes market plays an important role for Japan’s audiovisual industry. He described the Cannes market as the biggest market attached to any film festival in the world. “Meeting the international professionals who gather there and creating together with them is the key to nurturing Japanese IP into global content,” he said.
Ikeda Kaori, managing director of TIFFCOM, said the first edition had shown how keen producers and partners worldwide are on Japanese IP. “Through the continued partnership linking Cannes in May with the Tokyo IP Market in October, we are pleased to offer more professionals the opportunity to meet Japanese rights holders directly and discover the rich diversity of Japanese IP,” she said.
The 2027 roster of companies and the rest of the program will be unveiled in the months ahead.
